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James Bond

James Bond

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For a topical guide to this subject, see Outline of James Bond.
James Bond
Fleming007impression.jpg
Ian Fleming's image of James Bond; commissioned to aid the Daily Express comic strip artists.
Author Ian Fleming
Country United Kingdom
Language English
Subject(s) Spy fiction
Genre(s) Action/Suspense
Publisher Jonathan Cape
Publication date 1953–present

James Bond 007 is a fictional character created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short story collections.[1] The character has also been used in the longest running and most financially successful English language film franchise to date, starting in 1962 with Dr. No.[2][3][4]

After Fleming's death in 1964, subsequent James Bond novels were written by Kingsley Amis (as Robert Markham), John Pearson, John Gardner, Raymond Benson and Sebastian Faulks. Moreover, Christopher Wood novelised two screenplays, Charlie Higson wrote a series on a young James Bond while other writers have authored unofficial versions of the character.[5]

There have been 22 films in the EON Productions series to date, the most recent of which, Quantum of Solace, was released on 31 October 2008 (UK).[6][7] In addition there has been an American television adaptation and two independent feature productions. Apart from movies and television, James Bond has also been adapted for many other media, including radio plays, comic strips and video games.

The EON Productions films are generally termed as "official" films originating with the purchase of the James Bond film rights by producer Harry Saltzman in the late 1950s.[8]

Contents

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Creation and inspiration

Sidney Reilly, The Ace of Spies'

Commander Sir James Bond, (KCMG, RNVR) is an officer of the British Secret Intelligence Service (SIS; commonly known as MI6). He was created in January 1952 by British journalist Ian Fleming while on holiday at his Jamaican estate, Goldeneye. The hero, James Bond, was named after an American ornithologist, a Caribbean bird expert and author of the definitive field guide book Birds of the West Indies. Fleming, a keen birdwatcher, had a copy of Bond's field guide at Goldeneye. Of the name, Fleming once said in a Reader's Digest interview, "I wanted the simplest, dullest, plainest-sounding name I could find, 'James Bond' was much better than something more interesting, like 'Peregrine Carruthers.' Exotic things would happen to and around him, but he would be a neutral figure — an anonymous, blunt instrument wielded by a government department."[9]

Nevertheless, news sources[10] speculated about real spies or other covert agents after whom James Bond might have been modeled or named, such as Sidney Reilly or William Stephenson, best-known by his wartime intelligence codename of Intrepid. Although they are similar to Bond, Fleming confirmed none as the source figure, nor did Ian Fleming Publications nor any of Fleming's biographers, such as John Pearson or Andrew Lycett.

James Bond's parents are Andrew Bond, a Scotsman, and Monique Delacroix, from Canton de Vaud, Switzerland. Their nationalities were established in On Her Majesty's Secret Service. Fleming emphasised Bond's Scottish heritage in admiration of Sean Connery's cinematic portrayal, whereas Bond's mother is named after a Swiss fiancée of Fleming's. A planned, but unwritten, novel would have portrayed Bond's mother as a Scot. Ian Fleming was a member of a prominent Scottish banking family.[11] In his fictional biography of secret agent 007, John Pearson gave Bond's birth date as 11 November (Armistice Day) 1920 (The beginning of the film "For Your Eyes Only" gives his wife's birth date as 1943. This seemingly assumes Bond to be younger than Pearson claimed). There is a reference to Bond's age in Fleming's You Only Live Twice, when Tanaka tells him he was born in the Year of the Rat (1924/25 or even 1912/13). In the novel On Her Majesty's Secret Service, Bond's family motto is found to be "Orbis non sufficit" ("The world is not enough"). The novel also states that the family that used this motto may not necessarily be the same Bond family from which James Bond came.[12]

Hoagy Carmichael—another James Bond model.

After completing the manuscript for Casino Royale, Fleming allowed his friend, later his editor, poet William Plomer to read it. Plomer liked it and submitted it to Jonathan Cape, who did not like it as much. Cape finally published it in 1953 on the recommendation of Fleming's older brother Peter, an established travel writer.[13]

Most researchers agree that James Bond is a romanticised version of Ian Fleming, himself a jet-setting womaniser. Both Fleming and Bond attended the same schools, preferred the same foods (scrambled eggs, and coffee), maintained the same habits (drinking, smoking, wearing short-sleeve shirts{?}), shared the same notions of the perfect woman in looks and style, and had similar naval career paths (both rising to the rank of naval Commander). They also shared similar height, hairstyle, and eye colour. Some suggest that Bond's suave and sophisticated persona is based on that of a young Hoagy Carmichael. In Casino Royale, the heroine Vesper Lynd remarks, "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless." Likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is "certainly good-looking . . . Rather like Hoagy Carmichael in a way. That black hair falling down over the right eyebrow. Much the same bones. But there was something a bit cruel in the mouth, and the eyes were cold."[14]

Fleming did admit to being partly inspired by his service in the Naval Intelligence Division of the Admiralty, most notably an incident depicted in Casino Royale, when Fleming and Naval Intelligence Director Admiral Godfrey went on a mission to Lisbon en route to the United States during World War II. At the Estoril Casino, which harboured spies of warring regimes due to Portugal's neutrality, Fleming was 'cleaned out' by a "chief German agent" in a game of Chemin de Fer. Admiral Godfrey's account differs in that Fleming played Portuguese businessmen, whom Fleming fantasised as German agents he defeated at cards. Moreover, references to "Red Indians" in Casino Royale (four times; twice in the final page) are to his own 30 Assault Unit.

Novels and related works

In February 1952, Ian Fleming began writing his first James Bond novel. At the time, Fleming was the foreign manager for Kemsley Newspapers, owners of The Daily Express in London. Upon accepting the job, Fleming asked for two months' yearly vacation in his contract—time spent writing in Jamaica. Between 1953 and his death in 1964, Fleming published twelve novels and one short-story collection (a second collection was published posthumously). Later, continuation novels were written by Kingsley Amis (as Robert Markham), John Gardner, Charlie Higson, Raymond Benson, who was the first American author of James Bond. The Young Bond series of novels was begun in 2005, by Charlie Higson.[15][16]

In July 2007, it was announced that Sebastian Faulks has been commissioned to write a new Bond novel to commemorate Fleming's 100th Birthday. The book - titled Devil May Care - was published on 27 May 2008.

Ian Fleming novels

Adaptations

Films

Overview

In the late 1950s, EON Productions guaranteed the film adaptation rights for every 007 novel except for Casino Royale (those rights were recovered in 1999[31]). In 1962, the first adaptation Dr. No was made, which featured Sean Connery as 007. Connery starred in six more films after his initial portrayal (including 1983's Never Say Never Again, which was not part of the EON series). George Lazenby replaced Connery (for one film) before the latter's last EON film, after which the part was played by Roger Moore (for seven films), Timothy Dalton (for two films), Pierce Brosnan (for four films) and Daniel Craig (two films to 2008). As of 2008, there have been 22 films in the EON series. The 21st film, Casino Royale, with Daniel Craig as James Bond, premiered on 14 November 2006,[32] with the film going on general release in Asia and the Middle East the following day.[33] Notably, it is the first Bond film to have been released in China. The second James Bond film to feature Daniel Craig is Quantum of Solace, which gets its title from a short story of the same name by Ian Fleming (For Your Eyes Only, 1960), but shares no similarities with the plot. Daniel Craig is expected to return as James Bond for a third movie in the as yet unnamed "Bond 23."[34]

The film series has grossed over $4 billion (£2 billion) (nearly $11 billion when adjusted for inflation) worldwide, making it the highest grossing film series ever.[4] The 22nd and newest movie in the series, Quantum of Solace, was released in the UK on 31 October 2008. As of 9 November 2008, global box office totals for Quantum of Solace were almost $161 million (£103 million), placing the Bond series ahead of the Harry Potter film series even when not adjusting for inflation.[35][36]

The EON films

Franchise Count Title Year Actor Director Total Box Office * Budget * Inflation Adjusted
Total Box Office *
1 Dr. No 1962 Sean Connery Terence Young $59,600,000 $1,200,000 $425,488,741
2 From Russia with Love 1963 $78,900,000 $2,500,000 $555,909,803
3 Goldfinger 1964 Guy Hamilton $124,900,000 $3,500,000 $868,659,354
4 Thunderball 1965 Terence Young $141,200,000 $11,000,000 $966,435,555
5 You Only Live Twice 1967 Lewis Gilbert $111,600,000 $9,500,000 $720,388,023
6 On Her Majesty's Secret Service 1969 George Lazenby Peter R. Hunt $87,400,000 $7,000,000 $513,445,231
7 Diamonds Are Forever 1971 Sean Connery Guy Hamilton $116,000,000 $7,200,000 $617,520,987
8 Live and Let Die 1973 Roger Moore $161,800,000 $12,000,000 $785,677,477
9 The Man with the Golden Gun 1974 $97,600,000 $13,000,000 $426,826,774
10 The Spy Who Loved Me 1977 Lewis Gilbert $187,300,000 $28,000,000 $666,367,656
11 Moonraker 1979 $210,300,000 $34,000,000 $624,527,272
12 For Your Eyes Only 1981 John Glen $202,800,000 $28,000,000 $481,005,579
13 Octopussy 1983 $187,500,000 $27,500,000 $405,873,493
14 A View to a Kill 1985 $157,800,000 $30,000,000 $316,186,616
15 The Living Daylights 1987 Timothy Dalton $191,200,000 $40,000,000 $362,876,056
16 Licence to Kill 1989 $156,200,000 $42,000,000 $271,586,451
17 GoldenEye 1995 Pierce Brosnan Martin Campbell $353,400,000 $60,000,000 $499,954,330
18 Tomorrow Never Dies 1997 Roger Spottiswoode $346,600,000 $110,000,000 $465,588,535
19 The World Is Not Enough 1999 Michael Apted $390,000,000 $135,000,000 $504,705,882
20 Die Another Day 2002 Lee Tamahori $456,000,000 $142,000,000 $546,490,272
21 Casino Royale 2006 Daniel Craig Martin Campbell $599,200,000 $150,000,000 $640,803,677
22 Quantum of Solace 2008 Marc Forster $586,090,727 $230,000,000 $586,090,727
Totals Films 1-22


$4,809,157,447 $1,123,000,000 $11,686,214,000

* All figures are in US Dollars[37]
Figures are inflated to 2008 dollars as of 24 March 2008 figures based on the Consumer Price Index.

Non-EON films, radio and television programmes

In 1954, CBS paid Ian Fleming for the rights to adapt Casino Royale into a one hour television adventure as part of their Climax! series. However, Barry Nelson played a CIA agent named Jimmy Bond, Clarence Lieter was a British agent played by Michael Pate and Peter Lorre was Le Chiffre.

In 1956, Bob Holness starred in a South African radio adaptation of Moonraker, making him the second actor to portray James Bond.

According to Andrew Pixley's notes to Danger Man Original soundtrack, Ian Fleming collaborated with Ralph Smart to bring James Bond to television, but dropped out taking his creation with him. Ralph Smart went on to develop Danger Man with Patrick McGoohan who would later turn down James Bond.

In 1967, Casino Royale was adapted into a spoof Bond film starring David Niven as Sir James Bond 007 and Ursula Andress as Vesper Lynd. David Niven, had, in fact, been Ian Fleming's preference for the part of James Bond.[38] EON Productions, however, chose Sean Connery. David Niven is the only James Bond actor who is mentioned by name in the text of two of Fleming's James Bond novels. In On Her Majesty's Secret Service, Bond visits an exclusive ski resort and is told that David Niven is a frequent visitor and in You Only Live Twice Kissy Suzuki mentions him as the only man who had been kind to her in her brief foray to Hollywood. Ursula Andress is also mentioned in the text of On Her Majesty's Secret Service as being present at the ski resort.

The 1973 BBC documentary Omnibus: The British Hero featured Christopher Cazenove playing a number of such title characters (e.g. Richard Hannay and Bulldog Drummond), including James Bond in dramatised scenes from Goldfinger - notably featuring the hero being threatened with the novel's circular saw, rather than the film's laser beam - and Diamonds Are Forever.[39]

A legal loophole allowed Kevin McClory to release a remake of Thunderball titled Never Say Never Again in 1983. The film, featuring Sean Connery as Bond, is not considered an "official" James Bond film because it is not part of the Bond film franchise from EON Productions and United Artists, although it is currently owned by United Artists parent MGM. Its original theatrical release in October 1983 actually created a situation in which two Bond movies were playing in cinemas at the same time, as the "official" EON Bond film, Octopussy was still playing in cinemas. Since then, MGM has bought the name "James Bond", preventing a repeat of this episode.

Year ↓ Title ↓ Type ↓ Actor ↓ Total Box Office ↓ Budget ↓ Inflation Adjusted
Total Box Office** ↓
1954 Casino Royale TV Episode Barry Nelson n/a $25,000 n/a
1956 Moonraker Radio Bob Holness n/a
n/a
1967 Casino Royale Film David Niven $44,400,000 $12,000,000 $286,605,987
1983 Never Say Never Again Film Sean Connery $160,000,000 $36,000,000 $346,345,380
1990 You Only Live Twice Radio Michael Jayston n/a
n/a
1991 James Bond Jr. TV cartoon series Corey Burton n/a
n/a
2008 Dr. No Radio Toby Stephens n/a
n/a
2010 Goldfinger Radio Toby Stephens ??? n/a
n/a
Totals


$204,400,000 $48,000,000 $602,860,000

Actors

Cultural impact

Statues of Bond actors Pierce Brosnan and Sean Connery at Madame Tussauds.

James Bond has long been a household name and remains a huge influence within the genre. The Austin Powers series by writer, producer and comedian Mike Myers, and other parodies such as Johnny English (2003), Bons baisers de Hong Kong, OK Connery, the "Flint" series starring James Coburn as Derek Flint, the "Matt Helm" movies starring Dean Martin, and Casino Royale (1967) are testaments to Bond's prominence in popular culture.[40]

The Bond series also received many homages and parodies in popular media. The 1960s TV imitations of James Bond such as I Spy, Get Smart, Charles Vine, Matt Helm and The Man from U.N.C.L.E. went on to become popular successes in their own right, the last having enjoyed contributions by Fleming towards its creation: the show's lead character, "Napoleon Solo", was named after a character in Fleming's novel Goldfinger; Fleming also suggested the character name April Dancer, which was later used in the spin-off series The Girl from U.N.C.L.E.[41] A reunion television movie, The Return of the Man from U.N.C.L.E. (1983), is notable for featuring a cameo by George Lazenby as James Bond in tribute to Fleming (for legal reasons, the character was credited as "JB").

George Lucas has said on various occasions that Sean Connery's portrayal of Bond was one of the primary inspirations for the Indiana Jones character, a reason Connery was chosen for the role of Indiana's father in the third film of that series.[42][43]

Music

The "James Bond Theme" was written by Monty Norman and was first orchestrated by the John Barry Orchestra for 1962's Dr. No, although the actual authorship of the music has been a matter of controversy for many years. In 2001, Norman won £30,000 in libel damages from the British paper The Sunday Times, which suggested that Barry was entirely responsible for the composition.[44]

Barry did go on to compose the scores for eleven Bond films in addition to his uncredited contribution to Dr. No, and is credited with the creation of "007", used as an alternate Bond theme in several films, as well as the popular orchestrated theme "On Her Majesty's Secret Service." Both the "James Bond Theme" and "On Her Majesty's Secret Service" have been remixed a number of times by popular artists, including Art of Noise, Moby, Paul Oakenfold, and the Propellerheads. The Beatles used a portion of the "Bond theme" in the introduction of their song "Help" as released on the American version of the "Help" LP. The British/Australian string quartet also named bond (purposely in lower case) recorded their own version of the theme, entitled "Bond on Bond."[45]

Barry's legacy was followed by David Arnold, in addition to other well-known composers such as Chris Minear and Corbin Ott and record producers such as George Martin, Bill Conti, Michael Kamen, Marvin Hamlisch and Éric Serra. Arnold is the series' current composer of choice and composed the score for the 22nd Bond film, Quantum of Solace.

A Bond film staple are the theme songs heard during their title sequences sung by well-known popular singers (which have included Tina Turner, Paul McCartney and Wings, Sheryl Crow and Tom Jones, among many others). Shirley Bassey performed three themes in total. After Doctor No, On Her Majesty's Secret Service is the only Bond film with a solely instrumental theme, though Louis Armstrong's ballad "We Have All the Time in the World", which serves as Bond and his wife Tracy's love song and whose title is Bond's last line in the film, is considered the unofficial theme. Likewise, although the credit sequence to From Russia with Love features an instrumental version of the film's theme, another version, with lyrics sung by Matt Monro, can be partially heard within the film itself, and is featured on the film's soundtrack album.

The themes usually share their names with their film. A large reason for the turning down of Mr. Kiss Kiss Bang Bang for Thunderball was that it was not named after the movie. "Nobody Does It Better", the theme for The Spy Who Loved Me, was the first Bond theme not to share its title with that of the movie, although the words "the spy who loved me" do appear in the lyrics. The song is featured in both credit sequences of the film, and in orchestral form throughout. "Nobody Does It Better" was nominated for an Academy Award for "Best Original Song" of 1977, but lost to the theme song to You Light Up My Life. Hamlisch's score for the film was also nominated for an "Oscar", but lost to John Williams' score for Star Wars.

The only other Bond themes to be nominated for an Academy Award for best song are "Live and Let Die", written by Paul and Linda McCartney and performed by their group Wings, and "For Your Eyes Only", written by Bill Conti and Michael Leeson and performed by Sheena Easton, though a few of John Barry's scores have been nominated.

The only Bond theme to reach number one on the pop charts in the U.S. was Duran Duran's "A View to a Kill."

The only singer, to date, to appear within a title sequence is Sheena Easton during For Your Eyes Only. The only singer of a title song to appear as a character within the film itself, to date, is Madonna, who appeared (uncredited) as fencing instructor Verity, as well as contributing the theme for Die Another Day. The title sequence in Die Another Day is notable, however, for being the only one in which the visuals actually serve to further the plot of the film itself, as opposed to being merely a montage or collage of abstract images related to the film or to the larger James Bond mythos.

The latest theme song is Alicia Keys and Jack White's "Another Way to Die", from Quantum of Solace, the first James Bond theme song to be a duet. It is also the fourth Bond movie that doesn't have the name of the movie in its lyrics.

In 1998, Barry's music from You Only Live Twice was adapted into the hit song Millennium by producer and composer Guy Chambers for British recording artist Robbie Williams. The music video features Williams parodying James Bond, and references other Bond films such as Thunderball and From Russia with Love. It should also be noted that the video was filmed at Pinewood Studios, where most of the Bond films have been made.

In 2004 the Cavaliers Drum and Bugle Corps won the Drum Corps International World Championship with "007," using the music of James Bond as composed by David Arnold. The Cavaliers performed selections from GoldenEye, Die Another Day ("Hovercraft Theme" and "Welcome to Cuba"), and Tomorrow Never Dies.

Burt Bacharach's score for 1967's Casino Royale included "The Look Of Love", nominated for an Academy Award for Best Song, has become a standard for its era, with the biggest-selling version recorded by Sergio Mendes and Brasil '66 (#4 on the Billboard pop charts in 1968). It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale.

Video games

In 1983, the first Bond video game, developed and published by Parker Brothers, was released for the Atari 2600, the Atari 5200, the Atari 800, the Commodore 64, and the ColecoVision.[46] Since then, there have been numerous video games either based on the films or using original storylines.

Bond video games, however, did not reach their popular stride until 1997's revolutionary GoldenEye 007 by Rare for the Nintendo 64.[47] Subsequently, virtually every Bond video game has attempted to copy the accomplishments and features of GoldenEye 007 to varying degrees of success; even going so far as to have a game entitled GoldenEye: Rogue Agent that had little to do with either the video game GoldenEye 007 or the film of the same name. Bond himself plays only a minor role in which he is "killed" in the beginning during a 'virtual reality' mission, which served as the first level of the game.

Since acquiring the licence in 1999, Electronic Arts has released eight games, five of which have original stories, including the popular Everything or Nothing, which broke away from the first-person shooter trend that started with GoldenEye 007 (including the games "Agent Under Fire" and "Nightfire") and instead featured a third-person perspective. It also featured well known actors including Willem Dafoe, Heidi Klum, Judi Dench, John Cleese and Pierce Brosnan as James Bond, although several previous games have used Brosnan's likeness as Bond. In 2005, Electronic Arts released a video game adaptation of From Russia with Love, another game in the same vein as Everything or Nothing. This was the second game based on a Connery Bond film (the first was a 1980s text adventure adaptation of Goldfinger) and the first to allow the player to play as Bond with the likeness of Sean Connery. Connery himself recorded new voice-overs for the game, the first time the actor had played Bond in twenty-two years.

In 2006, Activision secured the licence to make Bond-related games, briefly sharing but effectively taking over the licence from EA. The deal became exclusive to Activision in September 2007.[48] Activision studio Treyarch has released the new James Bond game "Quantum of Solace" a movie tie in of "Casino Royale" and "Quantum of Solace" it (not unlike "Goldeneye 007") is a first person shooter and it does include a new 'dashing to cover' and 'cover fire' third person game play.

In relation to the twenty-first film in the series Sony Ericsson released a Casino Royale edition of their K800i mobile phone. In this edition, a Java ME game loosely based on the movie was included. Vodafone has also published a game for the same platform called 007: Hoverchase and developed by IOMO.

Comic strips and comic books

In 1957 the Daily Express, a newspaper owned by Lord Beaverbrook, approached Ian Fleming to adapt his stories into comic strips. After initial reluctance by Fleming who felt the strips would lack the quality of his writing, agreed and the first strip Casino Royale was published in 1958. Since then many illustrated adventures of James Bond have been published, including every Ian Fleming novel as well as Kingsley Amis's Colonel Sun, and most of Fleming's short stories. Later, the comic strip produced original stories, continuing until 1983.

Titan Books is presently reprinting these comic strips in an ongoing series of graphic novel-style collections; by the end of 2005 it had completed reprinting all Fleming-based adaptations as well as Colonel Sun and had moved on to reprinting original stories.

Several comic book adaptations of the James Bond films have been published through the years, as well as numerous original stories.

Most recently, a thinly-veiled version of Bond (called only "Jimmy" to avoid copyright issues) appeared in The League of Extraordinary Gentlemen: Black Dossier. In this story, Bond is the villain; he chases the heroic duo of Mina Murray and Allan Quatermain across London, aided by disguised versions of Bulldog Drummond ("Hugo Drummond") and Emma Peel ("Miss Night"). Jimmy is portrayed as an unpleasant incompetent servant of the US who only pretends to work with Britain.

Characters

The James Bond series of novels and films have a plethora of allies and villains. Bond's superiors and other officers of the British Secret Service are known by letters, such as M and Q. In the novels, Bond has employed two secretaries, Loelia Ponsonby and Mary Goodnight, who in the films typically have their roles and lines transferred to M's secretary, Miss Moneypenny. Occasionally Bond is assigned to work a case with his good friend, CIA agent Felix Leiter.

Throughout both the novels and the films there have only been a handful of recurring characters. Some of the more memorable ones include Bill Tanner, Rene Mathis, Jack Wade, Jaws and recently Charles Robinson. J.W. Pepper is also a recurring character.[49]

Vehicles and gadgets

Exotic espionage equipment and vehicles are very popular elements of James Bond's literary and cinematic missions. These items often prove critically important to Bond in successfully completing his missions.

Fleming's novels and early screen adaptations presented minimal equipment such as the booby-trapped attaché case in From Russia with Love. In Dr. No, Bond's sole gadgets were a Geiger counter and a wristwatch with a luminous (and radioactive) face. The gadgets, however, assumed a higher profile in the 1964 film Goldfinger. The film's success encouraged further espionage equipment from Q Branch to be supplied to Bond. In the opinion of critics, some Bond films have included too many gadgets and vehicles,[50] such as 1979's science fiction-oriented Moonraker and 2002's Die Another Day.

James Bond's cars have included the Aston Martin DB5, V8 Vantage (80s), V12 Vanquish and DBS (00s); the Lotus Esprit; the BMW Z3, BMW 750iL and the BMW Z8. Bond's most famous car is the silver grey Aston Martin DB5, first seen in Goldfinger; it later features in Thunderball, GoldenEye, Tomorrow Never Dies, and Casino Royale. The films have used a number of different Aston Martin DB5s for filming and publicity, one of which was sold in January 2006 at an auction in Arizona for $2,090,000 to an unnamed European collector. That specific car was originally sold for £5,000 in 1970.[51]

In Fleming's books, Bond had a penchant for "battleship grey" Bentleys, while Gardner awarded the agent a modified Saab 900 Turbo (nicknamed the Silver Beast) and later a Bentley Mulsanne Turbo.

In the James Bond film adaptations, Bond has been associated with several well-known watches, usually outfitted with high-tech features not found on production models. The Rolex Submariner, one of the few recurring models, was worn by Sean Connery, George Lazenby, Roger Moore, and Timothy Dalton's versions of James Bond. Roger Moore also sported a number of digital watches by Pulsar and Seiko. Pierce Brosnan's and Daniel Craig's James Bonds were both devotees of the Omega Seamaster. The selection of James Bond's watch has been a matter of both style and finance, as product placement agreements with the watch manufacturers have frequently been arranged.

Bond's weapon of choice in the beginning of Dr. No is an Italian-made Beretta 418 .25 calibre, later replaced by the German-made Walther PPK, chambered in 7.65 mm (a peculiar choice, as Valentin Zukovsky remarks in GoldenEye: the PPK as found in the U.S. and Western Europe is most commonly chambered in .380ACP). The PPK was used in every subsequent film and became his signature weapon until the ending of Tomorrow Never Dies, when Bond upgraded to the Walther P99. He has subsequently used the P99 pistol in Tomorrow Never Dies, The World Is Not Enough, Die Another Day, and Casino Royale. Strangely, Bond resumed use of the PPK in Quantum of Solace, the direct sequel of Casino Royale.

Pierre de fermat

Pierre de Fermat

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Pierre de Fermat

Pierre de Fermat
Born Beaumont-de-Lomagne, France
Died 12 January 1665
Castres, France
Residence France
Nationality French
Fields Mathematics and Law
Known for Analytic geometry
Probability
Fermat's Last Theorem

Pierre de Fermat (French pronunciation: [pjɛːʁ dəfɛʁˈma]; 17 August 1601 or 1607/8[1] – 12 January 1665) was a French lawyer at the Parlement of Toulouse, France, and an amateur mathematician who is given credit for early developments that led to modern calculus. In particular, he is recognized for his discovery of an original method of finding the greatest and the smallest ordinates of curved lines, which is analogous to that of the then unknown differential calculus, as well as his research into the theory of numbers. He also made notable contributions to analytic geometry, probability, and optics. He is best known for Fermat's Last Theorem, which he described in a note at the margin of a copy of Diophantus' Arithmetica.

Contents

[hide]

[edit] Life and work

Fermat was born at Beaumont-de-Lomagne, 58 kilometers (36 miles) north-west of Toulouse, France. The late 15th century mansion where Fermat was born in Beaumont-de-Lomagne is now a museum. Pierre Fermat's father was a wealthy leather merchant and second consul of Beaumont-de-Lomagne. Pierre had a brother and two sisters and was almost certainly brought up in the town of his birth. There is little evidence concerning his school education, but it may have been at the local Franciscan monastery.

He attended the University of Toulouse before moving to Bordeaux in the second half of the 1620s. In Bordeaux he began his first serious mathematical researches and in 1629 he gave a copy of his restoration of Apollonius's De Locis Planis to one of the mathematicians there. Certainly in Bordeaux he was in contact with Beaugrand and during this time he produced important work on maxima and minima which he gave to Étienne d'Espagnet who clearly shared mathematical interests with Fermat. There he became much influenced by the work of Franciscus Vieta.

From Bordeaux Fermat went to Orléans where he studied law at the University. He received a degree in civil law before, in 1631, receiving the title of councillor at the High Court of Judicature in Toulouse, which he held for the rest of his life. Due to the office he now held he became entitled to change his name from Pierre Fermat to Pierre de Fermat. Fluent in Latin, Greek, Italian, and Spanish, Fermat was praised for his written verse in several languages, and his advice was eagerly sought regarding the emendation of Greek texts.

He communicated most of his work in letters to friends, often with little or no proof of his theorems. This allowed him to preserve his status as an "amateur" while gaining the recognition he desired. This naturally led to priority disputes with fellow contemporaries such as Descartes and Wallis. He developed a close relationship with Pascal.

Anders Hald writes that, "The basis of Fermat's mathematics was the classical Greek treatises combined with Vieta's new algebraic methods."[2]

[edit] Work

Fermat's pioneering work in analytic geometry was circulated in manuscript form in 1636, predating the publication of Descartes' famous La géométrie. This manuscript was published posthumously in 1679 in "Varia opera mathematica", as Ad Locos Planos et Solidos Isagoge, ("Introduction to Plane and Solid Loci").[3]

In Methodus ad disquirendam maximam et minima and in De tangentibus linearum curvarum, Fermat developed a method for determining maxima, minima, and tangents to various curves that was equivalent to differentiation.[4] In these works, Fermat also obtained a technique for finding the centers of gravity of various plane and solid figures, which led to his further work in quadrature.

Pierre de Fermat

Fermat was the first person known to have evaluated the integral of general power functions. Using an ingenious trick, he was able to reduce this evaluation to the sum of geometric series.[5] The resulting formula was helpful to Newton, and then Leibniz, when they independently developed the fundamental theorem of calculus.[citation needed]

In number theory, Fermat studied Pell's equation, Fermat numbers, perfect, and amicable numbers. It was while researching perfect numbers that he discovered the little theorem. He also invented a factorization method which has been named for him as well as the proof technique of infinite descent, which he used to prove Fermat's Last Theorem for the case n = 4. Fermat also developed the two-square theorem, and the polygonal number theorem, which states that each number is a sum of three triangular numbers, four square numbers, five pentagonal numbers, and so on. Although Fermat claimed to have proved all his arithmetic theorems, few records of his proofs have survived. Many mathematicians, including Gauss, doubted several of his claims, especially given the difficulty of some of the problems and the limited mathematical tools available to Fermat. His famous Last Theorem was first discovered by his son in the margin on his father's copy of an edition of Diophantus, and included the statement that the margin was too small to include the proof. He had not bothered to inform even Mersenne of it. It was not proved until 1994, using techniques unavailable to Fermat.

Although he carefully studied, and drew inspiration from Diophantus, Fermat began a different tradition. Diophantus was content to find a single solution to his equations, even if it were an undesired fractional one. Fermat was interested only in integer solutions to his Diophantine equations, and he looked for all possible general solutions. He also often proved that certain equations had no solution, which usually baffled his contemporaries.

Through his correspondence with Blaise Pascal in 1654, Fermat and Pascal helped lay the fundamental groundwork for the theory of probability. From this brief but productive collaboration on the problem of points, they are now regarded as joint founders of probability theory.[6] Fermat is also credited with carrying out the first ever rigorous probability calculation. In it, he was asked by a professional gambler why if he bet on rolling at least one six in four throws of a die he won in the long term, whereas betting on throwing at least one double-six in twenty-four throws of two dice resulted in him losing. Fermat subsequently proved why this was the case mathematically.[7]

Fermat's principle of least time (which he used to derive Snell's law in 1657) was the first variational principle[8] enunciated in physics since Hero of Alexandria described a principle of least distance in the first century CE. In this way, Fermat is recognized as a key figure in the historical development of the fundamental principle of least action in physics. The term Fermat functional was named in recognition of this role.[9]

[edit] Death

He died at Castres, age 63, 79 kilometers (49 miles) east of Toulouse. The oldest, and most prestigious, high school in Toulouse is named after him: the Lycée Pierre de Fermat. French sculptor Théophile Barrau made a marble statue named Hommage à Pierre Fermat as tribute to Fermat, now at the Capitole of Toulouse.

[edit] Assessment of his work

Holographic will handwritten by Fermat on 4 March 1660 — kept at the Departmental Archives of Haute-Garonne, in Toulouse

Together with René Descartes, Fermat was one of the two leading mathematicians of the first half of the 17th century. Independently of Descartes, he discovered the fundamental principles of analytic geometry. With Blaise Pascal, he was a founder of the theory of probability.

Regarding Fermat's work in analysis, Isaac Newton wrote that his own early ideas about calculus came directly from "Fermat's way of drawing tangents."[10]

Of Fermat's number theoretic work, the great 20th century mathematician André Weil wrote that "... what we possess of his methods for dealing with curves of genus 1 is remarkably coherent; it is still the foundation for the modern theory of such curves. It naturally falls into two parts; the first one ... may conveniently be termed a method of ascent, in contrast with the descent which is rightly regarded as Fermat's own."[11] Regarding Fermat's use of ascent, Weil continued "The novelty consisted in the vastly extended use which Fermat made of it, giving him at least a partial equivalent of what we would obtain by the systematic use of the group theoretical properties of the rational points on a standard cubic."[12] With his gift for number relations and his ability to find proofs for many of his theorems, Fermat essentially created the modern theory of numbers.

Rene Descartes

oitevin", he enrolled at the Leiden University to study mathematics with Jacob Golius and astronomy with Martin Hortensius[7]. In October 1630 he had a falling out with Beeckman, whom he accused of plagiarizing some of his ideas. In Amsterdam, he had a relationship with a servant girl, Helène Jans, with whom he had a daughter, Francine, who was born in 1635 in Deventer, at which time Descartes taught at the Utrecht University. Francine Descartes died in 1640 in Amersfoort.

While in the Netherlands he changed his address frequently, living among other places in Dordrecht (1628), Franeker (1629), Amsterdam (1629–30), Leiden (1630), Amsterdam (1630–2), Deventer (1632–4), Amsterdam (1634-5), Utrecht (1635-6), Leiden (1636), Egmond (1636–8), Santpoort (1638–1640), Leiden (1640–1), Endegeest (a castle near Oegstgeest) (1641-3), and finally for an extended time in Egmond-Binnen (1643–9).

Despite these frequent moves he wrote all his major work during his 20 plus years in the Netherlands, where he managed to revolutionize mathematics and philosophy. In 1633, Galileo was condemned by the Roman Catholic Church, and Descartes abandoned plans to publish Treatise on the World, his work of the previous four years. "Discourse on the Method" was published in 1637. In it Descartes lays out four rules of thought, meant to ensure that our knowledge rests upon a firm foundation.

René Descartes with Queen Christina of Sweden

Descartes continued to publish works concerning both mathematics and philosophy for the rest of his life. In 1643, Cartesian philosophy was condemned at the University of Utrecht, and Descartes began his long correspondence with Princess Elisabeth of Bohemia. In 1647, he was awarded a pension by the King of France. Descartes was interviewed by Frans Burman at Egmond-Binnen in 1648.

René Descartes died on 11 February 1650 in Stockholm, Sweden, where he had been invited as a teacher for Queen Christina of Sweden. The cause of death was said to be pneumonia—accustomed to working in bed until noon, he may have suffered a detrimental effect on his health due to Christina's demands for early morning study (the lack of sleep could have severely compromised his immune system). Others believe that Descartes may have contracted pneumonia as a result of nursing a French ambassador, Dejion A. Nopeleen, ill with the aforementioned disease, back to health.[8]

In 1663, the Pope placed his works on the Index of Prohibited Books.

The tomb of Descartes (middle, with detail of the inscription), in the Abbey of Saint-Germain-des-Prés, Paris

As a Roman Catholic in a Protestant nation, he was interred in a graveyard mainly used for unbaptized infants in Adolf Fredrikskyrkan in Stockholm. Later, his remains were taken to France and buried in the Abbey of Saint-Germain-des-Prés in Paris. Although the National Convention in 1792 had planned to transfer his remains to the Panthéon, they are, two centuries later, still resting between two other graves—those of the scholarly monks Jean Mabillon and Bernard de Montfaucon—in a chapel of the abbey. His memorial, erected in the 18th century, remains in the Swedish church.

[edit] Philosophical work

Descartes is often regarded as the first modern thinker to provide a philosophical framework for the natural sciences as these began to develop. In his Discourse on the Method, he attempts to arrive at a fundamental set of principles that one can know as true without any doubt. To achieve this, he employs a method called hyperbolical/metaphysical doubt, sometimes also referred to as methodological skepticism: he rejects any ideas that can be doubted, and then reestablishes them in order to acquire a firm foundation for genuine knowledge.[9]

Initially, Descartes arrives at only a single principle: thought exists. Thought cannot be separated from me, therefore, I exist (Discourse on the Method and Principles of Philosophy). Most famously, this is known as cogito ergo sum (English: "I think, therefore I am"). Therefore, Descartes concluded, if he doubted, then something or someone must be doing the doubting, therefore the very fact that he doubted proved his existence. "The simple meaning of the phrase is that if one is skeptical of existence, that is in and of itself proof that he does exist." [10]

René Descartes at work.

Descartes concludes that he can be certain that he exists because he thinks. But in what form? He perceives his body through the use of the senses; however, these have previously been proven unreliable. So Descartes concludes that the only indubitable knowledge is that he is a thinking thing. Thinking is his essence as it is the only thing about him that cannot be doubted. Descartes defines "thought" (cogitatio) as "what happens in me such that I am immediately conscious of it, insofar as I am conscious of it". Thinking is thus every activity of a person of which he is immediately conscious.[11]

To further demonstrate the limitations of the senses, Descartes proceeds with what is known as the Wax Argument. He considers a piece of wax; his senses inform him that it has certain characteristics, such as shape, texture, size, color, smell, and so forth. When he brings the wax towards a flame, these characteristics change completely. However, it seems that it is still the same thing: it is still a piece of wax, even though the data of the senses inform him that all of its characteristics are different. Therefore, in order to properly grasp the nature of the wax, he cannot use the senses. He must use his mind. Descartes concludes:

And so something which I thought I was seeing with my eyes is in fact grasped solely by the faculty of judgment which is in my mind.

In this manner, Descartes proceeds to construct a system of knowledge, discarding perception as unreliable and instead admitting only deduction as a method. In the third and fifth Meditation, he offers an ontological proof of a benevolent God (through both the ontological argument and trademark argument). Because God is benevolent, he can have some faith in the account of reality his senses provide him, for God has provided him with a working mind and sensory system and does not desire to deceive him. From this supposition, however, he finally establishes the possibility of acquiring knowledge about the world based on deduction and perception. In terms of epistemology therefore, he can be said to have contributed such ideas as a rigorous conception of foundationalism and the possibility that reason is the only reliable method of attaining knowledge.

In Descartes' system, knowledge takes the form of ideas, and philosophical investigation is the contemplation of these ideas. This concept would influence subsequent internalist movements as Descartes' epistemology requires that a connection made by conscious awareness will distinguish knowledge from falsity. As a result of his Cartesian doubt, he viewed rational knowledge as being "incapable of being destroyed" and sought to construct an unshakable ground upon which all other knowledge can be based. The first item of unshakable knowledge that Descartes argues for is the aforementioned cogito, or thinking thing.

Descartes also wrote a response to skepticism about the existence of the external world. He argues that sensory perceptions come to him involuntarily, and are not willed by him. They are external to his senses, and according to Descartes, this is evidence of the existence of something outside of his mind, and thus, an external world. Descartes goes on to show that the things in the external world are material by arguing that God would not deceive him as to the ideas that are being transmitted, and that God has given him the "propensity" to believe that such ideas are caused by material things.

[edit] Dualism

Descartes in his Passions of the Soul and The Description of the Human Body suggested that the body works like a machine, that it has the material properties of extension and motion, and that it follows the laws of physics. The mind (or soul), on the other hand, was described as a nonmaterial entity that lacks extension and motion, and does not follow the laws of physics. Descartes argued that only humans have minds, and that the mind interacts with the body at the pineal gland. This form of dualism or duality proposes that the mind controls the body, but that the body can also influence the otherwise rational mind, such as when people act out of passion. Most of the previous accounts of the relationship between mind and body had been uni-directional.

Descartes suggested that the pineal gland is "the seat of the soul" for several reasons. First, the soul is unitary, and unlike many areas of the brain the pineal gland appeared to be unitary (though subsequent microscopic inspection has revealed it is formed of two hemispheres). Second, Descartes observed that the pineal gland was located near the ventricles. He believed the cerebrospinal fluid of the ventricles acted through the nerves to control the body, and that the pineal gland influenced this process. Finally, Descartes incorrectly believed that only humans have pineal glands, just as, in his view, only humans have minds. This led him to the belief that animals cannot feel pain, and Descartes' practice of vivisection (the dissection of live animals) became widely used throughout Europe until the Enlightenment. Cartesian dualism set the agenda for philosophical discussion of the mind-body problem for many years after Descartes' death. The question of how a nonmaterial mind could influence a material body, without invoking supernatural explanations, remains controversial to this day.

Later in correspondence with Princess Elisabeth of Bohemia, he admitted he had no idea how the mind interacted with the body, abandoning the concept of the pineal glands as connection.

[edit] Mathematical legacy

Descartes' theory provided the basis for the calculus of Newton and Leibniz, by applying infinitesimal calculus to the tangent line problem, thus permitting the evolution of that branch of modern mathematics.[12] This appears even more astounding considering that the work was just intended as an example to his Discours de la méthode pour bien conduire sa raison, et chercher la verité dans les sciences (Discourse on the Method of Rightly Conducting the Reason, and Searching for Truth in the Sciences, better known under the shortened title Discours de la méthode; English, Discourse on the Method).

Descartes' rule of signs is also a commonly used method to determine the number of positive and negative roots of a polynomial.

Rene Descartes created analytic geometry, and discovered an early form of the law of conservation of momentum (the term momentum refers to the momentum of a force). He outlined his views on the universe in his Principles of Philosophy.

Descartes also made contributions to the field of optics. He showed by using geometric construction and the law of refraction (also known as Descartes' law or more commonly Snell's law, who discovered it 16 years earlier) that the angular radius of a rainbow is 42 degrees (i.e., the angle subtended at the eye by the edge of the rainbow and the ray passing from the sun through the rainbow's centre is 42°).[13] He also independently discovered the law of reflection, and his essay on optics was the first published mention of this law.[14]

One of Descartes most enduring legacies was his development of Cartesian geometry which uses algebra to describe geometry. He also invented the notation which uses superscripts to show the powers or exponents, for example the 2 used in x2 to indicate squaring.

[edit] Contemporary reception

Although Descartes was well known in academic circles towards the end of his life, the teaching of his works in schools was controversial. Henri de Roy (Henricus Regius, 1598-1679), Professor of Medicine at the University of Utrecht, was condemned by the Rector of the University, Gisbert Voet (Voetius), for teaching Descartes' physics.[15]

[edit] Religious beliefs

The religious beliefs of René Descartes have been rigorously debated within scholarly circles. He claimed to be a devout Roman Catholic, claiming that one of the purposes of the Meditations was to defend the Christian faith. However, in his own era, Descartes was accused of harboring secret deist or atheist beliefs. Contemporary Blaise Pascal said that "I cannot forgive Descartes; in all his philosophy, Descartes did his best to dispense with God. But Descartes could not avoid prodding God to set the world in motion with a snap of his lordly fingers; after that, he had no more use for God."[16]

Stephen Gaukroger's biography of Descartes reports that "he had a deep religious faith as a Catholic, which he retained to his dying day, along with a resolute, passionate desire to discover the truth."[17] After Descartes died in Sweden, Queen Christina abdicated her throne to convert to Roman Catholicism. (Swedish law required a Protestant ruler.) The only Roman Catholic she had prolonged contact with was Descartes, who was her personal tutor.

[edit] Writings

Handwritten letter by Descartes, December 1638.
  • 1618. Compendium Musicae. A treatise on music theory and the aesthetics of music written for Descartes' early collaborator Isaac Beeckman.
  • 1626–1628. Regulae ad directionem ingenii (Rules for the Direction of the Mind). Incomplete. First published posthumously in 1684. The best critical edition, which includes an early Dutch translation, is edited by Giovanni Crapulli (The Hague: Martinus Nijhoff, 1966).
  • 1630–1633. Le Monde (The World) and L'Homme (Man). Descartes' first systematic presentation of his natural philosophy. Man was first published in Latin translation in 1662; The World in 1664.
  • 1637. Discours de la méthode (Discourse on the Method). An introduction to the Essais, which include the Dioptrique, the Météores and the Géométrie.
  • 1637. La Géométrie (Geometry). Descartes' major work in mathematics. There is an English translation by Michael Mahoney (New York: Dover, 1979).
  • 1641. Meditationes de prima philosophia (Meditations on First Philosophy), also known as Metaphysical Meditations. In Latin; a French translation, probably done without Descartes' supervision, was published in 1647. Includes six Objections and Replies. A second edition, published the following year, included an additional objection and reply, and a Letter to Dinet.
  • 1644. Principia philosophiae (Principles of Philosophy), a Latin textbook at first intended by Descartes to replace the Aristotelian textbooks then used in universities. A French translation, Principes de philosophie by Claude Picot, under the supervision of Descartes, appeared in 1647 with a letter-preface to Queen Christina of Sweden.
  • 1647. Notae in programma (Comments on a Certain Broadsheet). A reply to Descartes' one-time disciple Henricus Regius.
  • 1647. The Description of the Human Body. Published posthumously.
  • 1648. Responsiones Renati Des Cartes… (Conversation with Burman). Notes on a Q&A session between Descartes and Frans Burman on 16 April 1648. Rediscovered in 1895 and published for the first time in 1896. An annotated bilingual edition (Latin with French translation), edited by Jean-Marie Beyssade, was published in 1981 (Paris: PUF).
  • 1649. Les passions de l'âme (Passions of the Soul). Dedicated to Princess Elizabeth of Bohemia.
  • 1657. Correspondence. Published by Descartes' literary executor Claude Clerselier. The third edition, in 1667, was the most complete; Clerselier omitted, however, much of the material pertaining to mathematics.